![]() Lagoze decided that what was really missing from our understanding of the war was precisely the material that viewers might find hard to watch.īut combat cameramen ultimately work for the Corps, not themselves or their buddies downrange, Devine, the Marines' entertainment liaison, told T&P. “I had this footage on my computer, sort of like a weird diary, with a lot of fucked up shit - dead civilians, wounded Marines - that never got released.” “When I got back, I didn't really know what to do with it,” Lagoze, who left the service in 2013, told Task & Purpose. In the next, they smoke pot from an empty Pringles can that they've MacGyvered into a bong. In one moment, we see young grunts engaged in heavy combat, carrying wounded comrades to casevac choppers as rounds clap overhead. It wasn't until he'd been a civilian for a few years and enrolled in Columbia University's film program in New York that he thought to look back at the hours of footage he'd collected. ![]() But as a member of the military, and part of the Marine Corps' combat camera field - which gathers footage for historical documentation - he was charged with portraying the war, and the Americans who fought it, in a certain light. As a Marine, Lagoze enjoyed the kind of unlimited access journalists rarely get. Jacob Miles Lagoze, the combat cameraman who filmed the scene, returned to the patrol base to file his daily footage.
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